![]() This culminated in 2017’s Justice League, a critical dud that lost the studio upwards of $100 million.īut even before Justice League hammered the point home, the studio was aware that changes were needed. Man of Steel and Batman v Superman: Dawn of Justice both underachieved at the box office while eliciting mixed reactions. Yet the early efforts to recreate Marvel’s interconnected crossover magic proved polarizing with fans and critics. watched the MCU take off in the wake of The Dark Knight trilogy’s conclusion, it positioned itself to capitalize on the shared cinematic universe craze by launching the DC Extended Universe with 2013’s Superman reboot Man of Steel. Starring: Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell and Rosie PerezĪs Warner Bros. Margot Robbie stars as Harley Quinn in Birds of Prey. Feige’s fiefdom operates under his guidance or it doesn’t operate at all. There’s not a lot of room for individuality, which is why directors such as Edgar Wright ( Ant-Man), Patty Jenkins ( Thor: The Dark World) and Scott Derrickson ( Doctor Strange and the Multiverse of Madness) have all left projects over creative differences. This multi-layered endeavor enables storylines from one film to reverberate throughout the greater MCU and for characters to crossover into one another’s stories, giving the entire franchise event-level hype.īut this approach also restricts creativity, forcing directors to adhere to Marvel’s pre-existing rule book when it comes to plots, characters, visual language, etc. 2015’s Avengers: Age of Ultron sets up 2016’s Captain America: Civil War while the entire 10-year MCU narrative pays off in the dual-part Infinity Saga. ![]() To understand 2012’s The Avengers, you need to at least have a passing knowledge of the preceding solo adventures. Unlike standard blockbuster fare, the MCU operates much like a television series composed of episodic chapters that feed into one another sequentially. Ever since the Marvel Cinematic Universe launched in 2008 with Iron Man, it has been defined by its world-building interconnectedness engineered by studio head Kevin Feige. To understand how Birds of Prey cuts to the central strategic divide between Marvel and DC, we first need to understand how both studios operate. SEE ALSO: Here’s How ‘Joker’ Cinematographer Lawrence Sher Filmed the Oscar-Nominated Movie Friday’s Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), the Margot Robbie-led DC spinoff, underscores the pros and cons of each. After years of trial and error, both juggernauts have embraced separate strategies that have perched them atop the industry like the havoc-wreaking creativity of the San Francisco 49ers and the quick-twitch explosiveness of the Kansas City Chiefs in the Super Bowl. At the forefront sits the Marvel Cinematic Universe, which is now into its second decade of dominance, and Warner Bros.’ DC Films, which secured the genre’s ultimate validation with Christopher Nolan’s Dark Knight. This divide has been amplified by the supernova expansion of the blockbuster superhero genre over the last 20 years. It’s a bird, it’s a plane…it’s a cultural monolith slow-pitched down the middle for the think-piece industry!ĭating back to the heyday of comic books, fans have taken it upon themselves to wage war in the name of Marvel and DC despite the fact that the two major entities share far more in common than in conflict. Margot Robbie’s Birds of Prey underscores the pros and cons of of blockbuster filmmaking.
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